I was delighted to be asked to judge the Royal Doulton UNSW Art and Design Award last month, in which students re-imagined Royal Doulton’s future in a collection of homeware and interior objects. The work was fantastically varied, with some students focusing on ceramics, some on metal, graphic design, textiles and other specialisations. The collections were inspired by the geometry found in nature, with prototypes supported by designs for retail display and point of sale, product packaging and Royal Doulton brand identity collateral. Each student also made a video about their entry, and there were some really creative responses – we almost wished we could give awards just for the videos.
The winner was Ripples by Joseph Turrin, a series of ceramic pieces with patterns from nature created by painting, then sponging off the clay around it. The other three finalists were Phase by Annie Kuang, a teapot and cup set with a simple and clever geometry based on the atoms in a H2O molecule, Vessels for Change by Tulla Carson, a set of vases that featured markings based on the points of a map of Sydney, and River by Sherli Liu, a tea set with shapes reminiscent of architecture set on a timber board with moving elements inspired by the motion of water in a river. Read more →
Did you know that the Dutch craze for blue and white ceramics was, at least in part, the result of piracy? In 1603, the Santa Catarina, a Portuguese merchant ship, was seized by the Dutch East India Company off the coast of Singapore with over 100,000 pieces of Chinese porcelain on board. Even though Holland was at war with Portugal at the time, there’s no doubt that this was an act of piracy – the crew were vouchsafed their lives in return for handing over the loot. When this cargo was sold in Amsterdam, it caused a great sensation, and blue and white ceramics became the hottest trend in town, not just for the aristocracy, but for everyone.
Although the potters in Delft originally copied the Chinese designs due to the huge popularity of the originals from that ship, they began incorporating Dutch motifs and original designs through the 1600s, and Defltware became the most popular and biggest selling makers of ceramics from 1600 to 1800. The style is still popular today and it’s possible to visit the factory of Royal Delft to see ceramics being the made the same way they have been for over 400 years. Read more →