The news that David Bowie was a big collector of Memphis (over 100 items will go on auction at Sotheby’s in London on 11 November) makes sense – both were on the cutting edge of style in the 1980s and there is a little something of Ziggy Stardust in many of the designs.
Reflecting on Memphis, the Milan-based collective led by Ettore Sottsass that launched onto the international design stage in 1981, it is interesting to note its place in design history. Read more →
Melbourne-based architectural photographer Rhiannon Slatter recently held exhibitions in Melbourne and Sydney of her artworks exploring concrete. The works form a series that moves between architectural photography and abstract photography, presenting concrete buildings as intersecting planes in shades of grey.
Many commercial architectural photographers also have an art practice, allowing them to create work for themselves rather than a client. This freedom brings with it a chance to experiment, not only with methodology, but also with new conceptual frameworks that can ultimately benefit the artist’s body of work as a whole. Read more →
Seattle-based architecture practice Olson Kundig (OK) created an ephemeral installation in Occidental Park as part of the Seattle Design Festival last month: a 10-tonne ice cube that slowly melted in the sun.
The piece acts as a statement raising environmental awareness, providing visitors with a tangible metaphor for the melting ice caps, “marking the passage of time as its waters slowly return to the sea,” according to the architects, as well as “showcasing the stages of the natural water cycle as the ice shifts from opaque to translucent”. Read more →
The new extension of San Francisco Museum of Modern Art (SFMOMA) by Norwegian architecture firm Snøhetta presents a soaring, monumental face, despite the challenges of a restrained site. Spanning over 10 floors, the new extension nearly triples the exhibition space of the museum, creating white, light-filled gallery spaces connected by wide timber stairs.
The old and new interiors are seamlessly integrated, with the new extension appearing to hug the side of the existing building, a series of brick-clad symmetrical volumes designed in 1995 by Mario Botta. In contrast to the bold, regular forms of the Botta building, the new design is introverted, expanding into the space but with its outer peripheries pinned back, clad in a white, rippling facade. Read more →
Little Creatures is the latest Hong Kong restaurant by Charlie & Rose, a Hong Kong-based creative studio led by Australian designer Ben McCarthy. The venue is the first Little Creatures outside of Australia and is situated in Kennedy Town, where the cuisines range from seafood to Italian, to Mexican-Japanese fusion, all situated within a stone’s throw of Hong Kong Harbour.
Previously a warehouse space, the restaurant interior retains some of the original’s industrial grunge, overlaid with blonde timber joinery, bespoke furniture and some big, decorative red pipes that run through the space. Part of the brief was to create facilities for an on-site brewery and the gleaming metal brewing equipment takes pride of place behind the bar. Read more →
The first permanent exhibition venue in Hong Kong’s West Kowloon Cultural District has been completed – the M+ Pavilion, designed by three Hong Kong design teams: VPANG architects ltd, JET Architecture Inc and Lisa Cheung. The leaders of each team, Vincent Pang, Tynnon Chow and Lisa Cheung, first met in New York in 1999 and, despite their careers developing separately to this point, took this opportunity to come together, winning the competition entry to design the building.
The pavilion is set within the Art Park and offers a tranquil escape from the busy city centre, with gleaming facades that mirror the surrounding greenery of the park. The building is situated on a grassy slope with the upper level exhibition space cantilevering over the lawn below and offering views of the city and the harbour. Read more →
Two recent graduates of architecture from Hong Kong University have created All Goods of Concrete, a new range of products exploring the use of concrete in small-scale objects and accessories. Yip Yi Kwan Jennifer and Lee Ka Anthony first started to experiment with concrete when building architectural models at university.
“Concrete appeared to be a dirty and difficult material to handle at the time,” says Jennifer. “Only when we started using it to make study models did we appreciate its simple and pretty texture.”
In February 2016, the pair decided to extend their university experimentation with concrete, inspired by architects such as Tadao Ando who use it at a larger scale, pushing the boundaries of the material into industrial design and home decoration.
Rugs don’t have to make a big statement to be beautiful – many of the best rugs are designed to be subtle, with one concept differentiating it from the crowd. These five new rug ranges are made from a range of materials and with a variety of design ideas, all of which are successful in their originality and soft concept.
1. Armadillo&Co is an Australian company, founded by Jodie Fried and Sally Pottharst, producing hand-made, fair trade and sustainable rugs. As well as benefiting from the long tradition that their weavers in India, Nepal and Pakistan bring to these hand-knotted rugs, Armadillo&Co is also committed to social responsibility, supporting their weavers’ communities through building schools and other social programs. More on Armadillo&Co
A four-metre-wide terrace in Sydney’s Surry Hills has been transformed from a dark, cramped space into a light-filled home with clean lines and balanced proportions thanks to architecture practice Benn & Penna.
The new bedrooms and bathrooms are located above an open-plan living space that opens onto intimate garden spaces at either end of the property. In order to increase the liveable space in the house, these have been treated as outdoor rooms. Read more →
The popularity of Finnish design brand Iittala in Australia might not have come as a surprise to International Brand Manager of Iittala Siru Nori during her recent trip to Australia to rerelease the brand. But the ubiquity of Iittala glassware – in particular classic designs such as the Ultima Thule from the 1960s – and the number of collectors that the brand has here might have been less expected.
Perhaps the enduring power of Iittala is due to its timelessness – many of these collectibles look just as good now as they did when they were first released. The Alvar Aalto Vase is a perfect example of this, retaining its relevance thanks to its sculptural, architectural form without dipping in and out of fashion as so many other pieces do. Originally designed in 1936, this vase is mouth blown in Iittala’s Finnish factory where it takes seven people to make one vase. Read more →