Tiny Sydney terrace, opened out

By Penny Craswell

A four-metre-wide terrace in Sydney’s Surry Hills has been transformed from a dark, cramped space into a light-filled home with clean lines and balanced proportions thanks to architecture practice Benn & Penna.

Sydney Terrace by Benn & Penna. Photo: Tom Ferguson
Sydney Terrace by Benn & Penna. Photo: Tom Ferguson

The new bedrooms and bathrooms are located above an open-plan living space that opens onto intimate garden spaces at either end of the property. In order to increase the liveable space in the house, these have been treated as outdoor rooms. Read more

Iittala relaunches in Australia

By Penny Craswell

The popularity of Finnish design brand Iittala in Australia might not have come as a surprise to International Brand Manager of Iittala Siru Nori during her recent trip to Australia to rerelease the brand. But the ubiquity of Iittala glassware – in particular classic designs such as the Ultima Thule from the 1960s – and the number of collectors that the brand has here might have been less expected.

Iittala X Issey Miyake. Image: supplied
Iittala X Issey Miyake. Image: supplied

Perhaps the enduring power of Iittala is due to its timelessness – many of these collectibles look just as good now as they did when they were first released. The Alvar Aalto Vase is a perfect example of this, retaining its relevance thanks to its sculptural, architectural form without dipping in and out of fashion as so many other pieces do. Originally designed in 1936, this vase is mouth blown in Iittala’s Finnish factory where it takes seven people to make one vase. Read more

Design and Indigenous Australia: Lucy Simpson and Nicole Monks

By Penny Craswell

As a source of inspiration for designers and architects, Australian Indigenous culture should not be underestimated. At a recent talk on shield carving by Andrew Snelgar and Simon Penrose at the Art Gallery of NSW, I saw first hand the beauty of traditional shields, tools and weapons made by hand. I also learnt about practices such as the harvesting of timber from trees – up to two thirds of a tree can be removed without killing it.

 

Dhina digital print scarf. Image: courtesy © Lucy Simpson
Dhina digital print scarf designed by Lucy Simpson. Image: courtesy © Lucy Simpson

Two contemporary Indigenous designers drawing on Indigenous Australian traditions in their practices are Lucy Simpson, a textile and graphic designer who sells scarves, textiles, jewellery and objects under the name Gaawaa Miyay, and Nicole Monks, a designer working across art, interiors, fashion, set and surface design (Lucy and Nicole are both participants in the Arts NSW 2016 Indigenous Design Mentorship scheme facilitated by the Australian Design Centre). Read more

Object stories: Sprint chair by Sean Dix

By Penny Craswell

The Sprint chair by Hong Kong-based US designer Sean Dix is a lightweight, stackable chair and stool with a simple profile that belies its complexity. Originally developed specifically for the Bar Veloce, an Italian bar in Beijing, the series was named after the Vespa “Sprint Veloce” which is an Italian design classic.

Sprint chair by Sean Dix for Zenith. Image: supplied
Sprint chair is a stacking chair by Sean Dix for Zenith. Image: supplied


The origins of Sprint as a bespoke design for an interior are characteristic of many of Dix’s industrial design projects since he also runs his own interior design practice and often will design products for an interior that subsequently have a life of their own. For Dix and his team, the opportunity to feed industrial and interior design projects off each other brings many advantages, both creatively and for the business. Read more

Review: Connecting creators at Factory Design District

By Penny Craswell

It was bad luck that the worst storm to hit Sydney in decades happened to coincide with the most exciting new design event to make its debut in the city this year. Factory Design District is the brainchild of Kobe Johns who brought her previous experience on DesignEX and London Design Festival to the event, which ran over three days as part of Vivid Ideas.

Johns now runs joinery workshop JP Finsbury with her partner (in work and in life) Adam Price and envisaged Factory Design District as a way for manufacturers and makers to connect with the design industry and the design-loving public.

Factory Design District, held in Sydney in June 2016. Photo: Fiona Susanto
Factory Design District, held in Sydney in June 2016. Photo: Fiona Susanto

The mission of the event, which included stands by some 30 exhibitors, was to start a dialogue between those people who work in timber, metal, fabric etc. and those who are curious about the process of making, or who may want bespoke or off-the-shelf Australian-made and designed goods. Read more

Design for good: Wildlife conservation with Egg Picnic

By Penny Craswell

Egg Picnic is a Sydney-based design duo devoted to wildlife conservation. A mutual love of both design and the natural world was the starting point of the partnership which began when Chilean graphic designer and illustrator Camila De Gregorio met Australian industrial designer Christopher Macaluso in Milan in 2009. They found inspiration in each other’s work, collaborating across 2D and 3D to create illustrations, characters, prints, objects and art toys – at first in Milan, then in Santiago.

Galah by Egg Picnic. Image: supplied


Now based in Sydney, the pair sell illustrations, art toys and objects depicting birds and wild animals, using simple lines and shapes to create characters that tread a fine line between art, design and cartoon, but also exude a serene stateliness that is utterly contemporary. Prints of individual species include the Hooded Plover, Australian Magpie, Galah and Spotted Eagle Ray (to name just a few), while larger prints such as Marsupials of Australia or Birds of Australia feature a line up of creatures. All prints are signed and include information about the species with the purchase. Read more

Milan 2016: Ex.t thinks beyond the bathroom

By Penny Craswell

Based in Florence, Italy, ex.t has always pushed boundaries when it comes to bathroom design, striving for simplicity and elegance while thinking outside the basics of bath, basin and bowl. This year, they launched two new ranges, in both cases commissioning a non-bathroom designer to create something different to go alongside their bathroom products.

Plateau and Raso designed by Sebastian Herkner for ex.t. Image: supplied
Plateau and Raso designed by Sebastian Herkner for ex.t. Image: supplied

In the case of the new Plataeu and Raso collection, German furniture designer Sebastian Herkner was approached to design a range that includes mirrors and pendant lights in addition to washbasin, console and bathtub. An architectural language is created through the use of a shelf that sits just behind and below the rim of the basin, console and bath, creating a functional space to rest bathroom items, while also adding the illusion of a shadow or extra dimension. The mirror features the same shadow, an extension to the oval shape by way of a transparent frame on one side only. Meanwhile, the Raso lighting pendants in pink, grey, white and transparent glass offer a complementary design object that softens the bathroom interior. Read more

Review: Connect(us) light installation by Warren Langley

By Penny Craswell

A ribbon of light twists and turns above a pedestrian street in Perth’s latest urban renewal project, Kings Square, this is Connect(us), the latest light installation by Sydney-based artist Warren Langley.

Connect(us) by Warren Langley, Perth, by night. Photo: Trent Baker
Connect(us) by Warren Langley, Perth, by night. Photo: Trent Baker


Warren has been working with the medium of light and glass for over 30 years, creating individual light installations for the Shanghai World Expo in 2011, as well as more permanent lighting displays and public artworks such as a tower made of glass and light at the Canberra Glassworks and Aspire, a forest of sculptural trees in light under the underpass in Sydney’s Pyrmont, as well as major project for Parliament House Canberra, the Maison de la Opera, Amiens, France and the Centre for Contemporary Art, Tacoma, USA.  Read more

Studio profile: Industrial designer Andrew Simpson of Vert

By Penny Craswell

Visiting his studio in Sydney, Andrew Simpson’s approach to design is instantly made clear. His studio and design house, called Vert, is packed full of prototypes, design objects and machines. As well as being a place where the design team gets on with their computer-based design work, the space is full of objects at every stage of making.

The VM Case being hand finished by Andrew Simpson of Vert. Photo: supplied
The VM Case being hand finished by Andrew Simpson of Vert. Photo: supplied

This is emblematic of Andrew’s approach to design. He wants to know how things are made, and to improve on that process himself by making something new, by “experimenting at the process edge of making” as he phrases it. Read more

Object stories: Hoshi lounge by Tom Skeehan

By Penny Craswell

The new Hoshi range, including lounge, armchair and bench, is the latest work by emerging Canberra-based designer Tom Skeehan, working with furniture supplier Stylecraft. Loosely translating as “star” in Japanese, Hoshi is inspired by the designer’s travels in Japan: “I have personally experienced their deep attraction to materials and process, combined with a rich understanding of how an object is made and the purpose / life cycle of the work.”

Hoshi lounge designed by Tom Skeehan for Stylecraft. Image: supplied
Hoshi lounge designed by Tom Skeehan for Stylecraft. Image: supplied

“Aesthetically, I admire the restraint and often minimal approach to many aspects of Japanese culture,  placing a strong emphasis on the overall process and individual daily ritual,” he adds. Read more