The Design Writer

Marisia Lukaszewski of aestheticalliance reviews the ‘Future of Fashion’ exhibition by Stella McCartney and RE-CUT by Toogood x Carhartt, two shows proving fashion is a vital part of Salone del Mobile and Milan Design Week.

Micro dosing the ‘Future of Fashion’ exhibition by Stella McCartney

As one approaches the venue of Caselli 11-12, a 1800s neo-classical tollbooth located near the Turati metro stop in Milan, a collection of resin mushroom statues herald the location for the latest preview of ‘Future of Fashion: An innovation conversation with Stella McCartney’.

Launched originally at the UN’s COP26 climate conference, the evolving and travelling installation aims to leverage UK fashion designer Stella McCartney’s past and present achievements to inspire future action. Salone del Mobile is a ‘laboratory’ for design experimentation, innovation, and cross-pollination, making it a natural platform to introduce the designer’s proposed construction and supply-chain solutions of our shared tomorrow.

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By Penny Craswell

Australian-born UK-based designer Brodie Neill recently presented a body of work made with reclaimed, recycled and waste materials as a demonstration of circular design at Sotheby’s in London last month called ‘Material Consciousness’.

The show features nine pieces grouped into three categories: ocean plastic, reclaimed timbers and circular metals. “Each design has a story of what it once was, is now and could be in the future. As designers, we inherit these materials from nature, industry, and society and play an important role in reshaping them with better purpose,” says Neill.

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By Penny Craswell

Set within a vineyard in South Australia’s Fleurieu Peninsula, 45 minutes drive from Adelaide, is Esca Blewitt Springs, a luxury off-grid retreat with prefabricated architecture by Das Studio.

The building is the second of two prototype suites designed by Das Studio and inspired by director Dino Vrynios’s travelling fellowship to research the world’s best practice in modular construction and prefabricated construction methodologies.

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By Penny Craswell

Design is not just about creating products to sell and buildings to live in. Many designers are now looking past the traditional forms of design and architecture, and exploring design’s potential to positively impact the world in other ways. This includes how design can help rebuild habitats for bees and other pollinating insects whose natural homes have been destroyed or degraded by humans.

In The Netherlands, Matilde Boelhouwer has turned her research and design skills to reversing the drastic decline in insect population in urban environments. As part of her project Insectology: Food for Buzz, she collaborated with university researchers, scientists and engineers to design five different artificial flowers that can be installed in any urban environment to provide an emergency food source for bees and other insects.

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By Penny Craswell

This house in Melbourne’s Brighton East features a new extension with a distinctive roof that architects Wowowa describe as a colonnade. It also has a colourful new interior with a kitchen in chocolate brown, yellow, pink and multi-coloured terrazzo, and bathrooms in green and blue.

The architects have added four bedrooms and two bathrooms, extra living spaces, storage, and increased connection to the exteriors in one fell swoop with the colonnade – a new section of the building connected by a row of columns. “The hardworking colonnade is the innovation in this design,” the architect’s statement says.

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By Penny Craswell

Featuring a number of bespoke details, this new modern Mexican restaurant in Sydney’s Freshwater was designed by local interior design studio Five Foot One.

Called St Alma in reference to its ‘big sister’ restaurant Alma in nearby Avalon, the restaurant has a large open dining room with banquette seating on one side and booths on the other, a gorgeous burgundy bar and a semi-enclosed kitchen with open windows.

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By Penny Craswell

Designed and made by London-based design brand Pinch, the Brody wingback armchair has a streamlined form that is inspired by the classic wingback armchair style.

The wingback armchair dates back the 1600s England when the wing shape of the seat and arms provided an extra buffer from cool breezes in draughty houses and cottages.

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This year, designer and curator Dale Hardiman is part of four separate events as part of Melbourne Design Week. I interviewed him to find out more.

Penny Craswell: Hi Dale, you are a designer but you also put together a lot of exhibitions. Why is that?

Dale Hardiman: I initially began organising group exhibitions as I thought there was a huge gap in the Australian design field. When I was 23 back in 2013, the only outlets for contemporary design that didn’t sit within the commercial field were ones organised by creatives who would self-initiate exhibitions, and they would need to work incredibly hard for an audience (I know this as I organised my first solo exhibition in 2012).

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By Penny Craswell

Indre is a new lighting design by Nikolai Kotlarczyk for Rakumba, a double-wall capsule in mouth-blown technical glass that is suspended with an interlinking metal rod.

Australian designer Kotlarczyk was inspired by his adopted home in Copenhagen when creating the design of Indre, in particular the suspended catenary streetlights of the old city centre. Indre by means city centre in Danish.

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By Penny Craswell

A new Italian coffee shop in Sydney has interiors by Alexander &Co that make the most of the industrial character of the building with the addition of bespoke design, retro furnishings, and recycled and recyclable materials.

The Genovese Coffee House began when Alfio Genovese opened his first coffee shop in Lygon Street, Melbourne in 1970. Now, third-generation family member Adam Genovese has opened the brand’s first Sydney location and is keeping the tradition alive with a space dedicated to Italian coffee.

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