Indonesian-born, Hong Kong-based artist Lie Fhung has created an installation work called Life Force II that was recently shown as part of her solo exhibition “Life Force” at the dia.lo.gue artspace in Jakarta.
The installation features Fhung’s signature materials – clay and metal – consisting of a series of hanging elements in porcelain, glass and copper wire, dramatically lit against the matte black and dark timber-floored exhibition space. Each of the porcelain pieces is fragile, made with super thin clay. Lit as they are, some encased within glass bell jars, these objects acquire a certain precious quality, like little birds with broken wings. Read more →
Multi-media artist Hiromi Tango invited reflection on our emotional responses to the colour red in a striking installation for kids (and adults) at Sydney Contemporary recently. Called The Red Room, the work lived up to its name, built as a small room filled with red, within the large expanse of the art fair at Carriageworks in Sydney.
As well as featuring red walls, the space was filled with red objects made by Hiromi and her team, as well as by visitors to the space who were provided with red materials, paper and crocheted flowers to add to the artwork. Larger items in the space included red light sculptures that illuminated the surrounds and a red hanging chair, encouraging you to climb over and into the installation itself and rest for a moment. Read more →
A ribbon of light twists and turns above a pedestrian street in Perth’s latest urban renewal project, Kings Square, this is Connect(us), the latest light installation by Sydney-based artist Warren Langley.
Warren has been working with the medium of light and glass for over 30 years, creating individual light installations for the Shanghai World Expo in 2011, as well as more permanent lighting displays and public artworks such as a tower made of glass and light at the Canberra Glassworks and Aspire, a forest of sculptural trees in light under the underpass in Sydney’s Pyrmont, as well as major project for Parliament House Canberra, the Maison de la Opera, Amiens, France and the Centre for Contemporary Art, Tacoma, USA. Read more →
One of the most spectacular sights I saw at the 2015 London Design Festival was Heartbeat, an installation of 100,000 white balloons at Covent Garden. Arguably not a work of design at all, but an art installation (and instant tourist attraction!), the work is simple, bold and works wonderfully well. I had seen photographs of the work before I went, but in person, the work is even better, extending beyond the eye can see (over 50 metres) and rippling with the wind, reminding the viewer that this is a cluster of balloons and not a solid sculpture.
The work is part of a series of photographs by French photographer Charles Pétillon who calls his series Invasions. In each scene, the white balloon is used, transforming a simple, childlike object into a an amorphous shape that changes our perception of the scene. In each photograph, the white balloons can be imagined as a white cloud, or a growth, depending on your perception, hence “invading” the scene. Read more →