This is the third year of Women in Design, a conference with an all-female line-up of speakers held in Launceston by Design Tasmania. Attending for the first time this year, my expectations were high – those I’d spoken to who attended previous years had given glowing reports. And I was not disappointed – this conference is inspirational and empowering in a profound way. This year’s theme – design for social engagement – may have added to the overall sense that this group of women are not only inspirational, but also highly authentic, hard-working and intelligent. Each shared her research, design practice, business or personal experience with a level of truth and dedication to the subject that was outstanding.
The whole event began with a beautiful welcome to country by Tasmanian Aboriginal Elder Aunty Patsy Cameron who led a smoking ceremony – the coals from the fire warmed the cold Tasmanian air and sent up clouds of smoke from the burnt eucalyptus leaves. Cameron then prepared a bowl of ochre, painting a moon and two stars on the hand of each woman present, while the men were asked to dip their thumb in the ochre. After moving back inside and a presentation on local produce from Kim Seagram from Fermentasmania and Harvest Market Tastings, a panel discussion was led by Karina Clark, CEO of Design Tasmania and mastermind of this year’s Women in Design event. Clark interviewed two of the makers who worked with Kirsha Kaechele on the Pro Paradox exhibition currently on show in Design Tasmania’s gallery. Sabrina Evans (Sabia) discussed her textile and fashion work including the kimonos she made for the project, while Nana Bayer shared the story of her ceramics, including a series with shapes inspired by the vulva. Kirsha Kaechele, artist and art curator, wife of David Walsh of MONA fame and larger-than-life personality around Tassie, was on hand to describe how the pieces fit into the puzzle – a performative feast-as-installation that evolved from her fertility-themed wedding feast. Read more →
This post is really more of a thank you note for the Shelter Hacks event I curated on Wednesday – to the Sherman Contemporary Art Foundation‘s Gene Sherman who is a continual inspiration, and to Danielle, Sophie and the rest of the team for being great to work with. Also thanks to the speakers: Fenella Kernebone for being a wonderful moderator, NSW Architects Registrar Timothy Horton for giving his time and expertise (as well as a good dose of humour) and Heidi Axelsen and Hugo Moline of MAPAA, the artist/architecture duo behind Owner Occupy at SCAF for sharing their ideas which were the inspiration for the evening’s discussion.
The panel discussion turned out to be a fantastic opportunity to throw around ideas about shelter, new housing models, how cities grow, the role of architects and policy-makers in creating human-centred dwellings. Read more →
I’m pleased to announce that, as part of The Sherman Contemporary Art Foundation’s Fugitive Structures series, I am curating a series of art and architecture forums, exploring some of the ideas relating to the Fugitive Structures pavilions and installations. The first is on Wednesday 16 September at SCAF in Sydney and is called Shelter Hacks. This discussion is based on Owner Occupy by Hugo Moline and Heidi Axelsen currently showing at SCAF.
This “conversation curated by Penny Craswell” is moderated by TV and radio presenter Fenella Kernebone and includes four speakers: Tarsha Finney, Senior Lecturer, School of Architecture, UTS; Timothy Horton, Registrar, NSW Architects Registration Board; and Hugo Moline & Heidi Axelsen of MAPAA, architecture-artist duo, creators of Owner Occupy. Read more →