Review: Carousel installation by Carsten Höller

By Penny Craswell

At Melbourne’s National Gallery of Victoria, a golden carousel has been installed in the forecourt, the latest version of a series of works by Belgian artist Carsten Höller that interrogate and confound human perception.

Carsten Höller German 1961–, worked in Sweden 2000– Golden mirror carousel 2014 powder-coated and painted steel, gold-plated stainless steel, tinite-plated stainless steel, brass, mirrors, light bulbs, electric motors, control unit, power unit, sandbags 480.0 x 745.0 cm diameter (variable) Collection of the artist, Stockholm and Gagosian Gallery, New York © Carsten Höller. Courtesy Gagosian Gallery Photo: Christian Markel
Carsten Höller, German 1961–, worked in Sweden 2000–, Golden mirror carousel 2014, powder-coated and painted steel, gold-plated stainless steel, tinite-plated stainless steel, brass, mirrors, light bulbs, electric motors, control unit, power unit, sandbags, 480.0 x 745.0 cm diameter (variable), Collection of the artist, Stockholm and Gagosian Gallery, New York, © Carsten Höller. Courtesy Gagosian Gallery, Photo: Christian Markel

The work is clad in gold coloured mirror. Instead of horses, you sit on a gold seat suspended by gold chains. The usual dizzying ride of a merry-go-round is slowed here to a gradual revolution, with seats spaced so that, even while riding the machine, you feel solitary. The floor underfoot does not rotate, and the centrepiece rotates in the opposite direction, creating a gently confounding experience that is not only reflective in the sense of providing a series of mirrored images, but also reflective in that it inspires a state of reflection – a slowing down of the fast pace of life. Read more