Guest contributor and European correspondent Lara Chapman visits ‘Coded Nature’ by Studio Drift at the Stedelijk Museum, Amsterdam.
The audience is sporadically positioned around the gallery, hypnotised by the kinetic sculptures performing their entrancing, electrical dance. The 10 flower-like silk structures drop from the ceiling, opening their textile bodies , then retract suddenly upwards, closing. They pause. Sometimes they move separately, at other times together. They are irregular in their speed and pauses, seemingly autonomous. In an indefinite interval, in which all the structures are motionless, I lean towards my friend and whisper, “Wow! It is so satisfying to watch”. Looking around the room I know that this feeling is unanimous. Each person is silently engrossed. “You’ve said that in every room!” my friend replies.
Why is all the work of Studio Drift so satisfying? It could be the level of detail and delicateness in every piece. The small surprises. The fine craftsmanship. But overall, I think it is the sense of slowness and calm that strikingly contrasts our high speed world that makes the exhibition so enjoyable. Read more
