The Design Writer

By Penny Craswell

“A room of my own” is a cabinet designed by London designer Nipa Doshi of studio Doshi Levien that is accessible from two sides, acting as a dressing table and a writing desk to encourage quiet moments of contemplation and self-expression.

The work is reminiscent of her work Le Cabinet for French porcelain factory Sèvres, which she described to me during an interview in Sydney in 2023 as being inspired by the shapes and silhouettes of modernist architect Le Corbusier’s work in Chandigarh.

Read more →

By Penny Craswell

The Radical Yes store in North Melbourne has had a redesign thanks to Molecule Architecture and Interior Design’s Richard Fleming and Anja de Spa, who describe themselves as longtime customers and fellow locals of the dynamic shoe, bag and accessory brand.

Radical Yes began when Kerryn Moscicki decided to start making shoes in a new, radical way – in small batches, with considered materials and with a focus on flat shoes. Their slogan “hasten slowly” resonated with a lot of people and the brand has gone from strength to strength.

Read more →

By Penny Craswell

Want to celebrate the festive season the ethical way? Then this is your guide on the best way to do just that this holiday season without losing the fun of gift giving. So, whether it’s being generous with your money when it comes to charities, avoiding plastics and single-use items, or simply buying from a maker or small business instead of the big corporations, give ethical shopping a go this year. Here are 10 suggestions for gifts to give in 2025.

1. Jess Sellinger is a Brisbane-based artist who works with Australian clay and glazes, making sculptures, vessels and furniture objects by hand in her studio. Jess also donates to local charities and has a yearly charity giveaway. The Wave Wall sculpture is $450. jesssellingerceramics.com

Read more →

By Penny Craswell

This year’s IDEA Awards highlighted some remarkable work from 2025, including a Brisbane restaurant full of novelty, an earthy house renovation that did more with less and the adaptive reuse of a former mechanic workshop into a creative studio.

At the 2025 Interior Design Excellence Awards (IDEA) in Sydney, there were several outstanding projects, but no project was awarded more than Hong Kong-inspired Brisbane restaurant Central, designed by J.AR Office. J.AR Office’s Jared Webb got up on stage no fewer than three times, for Emerging Designer of the Year, the Hospitality category and Overall Project of the Year, complete with palpable amazement and wild hair flying. At one point he said if he’d known this would happen he would have had a haircut. Simply called Central, the restaurant is situated in a basement in Brisbane’s CBD, with an illuminated gridded ceiling and the chef positioned in the centre of the space creating a sense of real drama, juxtaposing the precision of the grid against the roughness of the walls.

Read more →

By Penny Craswell

Tasmanian designer Isaac Williams presented his Cork Rebirthed Dine chair as part of the NGV Rigg Design Prize 2025, which this year focused on designers under the age of 35.

The Cork Rebirthed Dine chair is part of a series that Isaac is working on called Rebirthed, in which functional objects are created from discarded objects or materials.

Read more →

By Penny Craswell

One of eight townhouses in Sydney’s Rose Bay, this home has come alive thanks to a new interior focused on connection with the outdoors, and a considered curation of furniture and mirrors by MAC Design Studio.

The townhouse is laid out over four storeys, with a ground floor for the living spaces plus outdoor terrace that leads up to a second storey terrace, first floor with bathroom, laundry, study and guest bedroom, and a top floor with a main bedroom, bathroom and balcony. The base build is by Architect ESS.

Read more →

By Penny Craswell

Developed over five years by Sydney designer Caity Duffus, Mycelia House is a home cultivation system that includes a 3D-printed terracotta vessel for growing oyster mushrooms.

Earlier this month, Caity spoke at ‘Sensing Technologies’, a Sydney Design Week event hosted by Powerhouse Museum at the Advanced Manufacturing Readiness Facility in Bradfield, curated by Keinton Butler, Industrial Design Xchange (IDX) and Ed Ko.

Read more →

Made in Melbourne with 100 per cent non-petrochemical organic ingredients, OM Windows is a window treatment made from algae-derived polymers and locally-milled pigments by Melbourne studio Other Matter.

Other Matter is led by artist Jessie French, who was joined by Pollyanna and Elliot to create a small practice that became a company just over a year ago. At their studio in Melbourne, they spend a lot of time measuring and adding ingredients, heating and stirring materials in big pots, she explained during a panel discussion I attended recently at Jia CURATED in Bali.

Read more →

By Penny Craswell

There were once crocodiles here, when this was an abandoned theme park. So the story goes as we wander the grounds of Jia CURATED, a design event in Bali from 14 to 18 August that brings together design, architecture, art installations, cultural performances and food in one jam-packed long weekend. 

The founders of the event, Budiman Ong, Rudi Winata and Yang Yang Hartono, take the time to show us journalists around on the first day, when some of the exhibits are still under tarpaulin. The space is rough and raw, dotted with old buildings from the theme park days, mostly in crumbling concrete. The graffiti is everywhere and impressive, a hangover from its use as a skate park by local kids. And there is the ever-present Balinese jungle, with trees and vegetation of all sorts encroaching on the space.

Read more →

By Penny Craswell

As tempted as I am to call New Bahru a new shopping mall, it is so far from the regular Singapore shopping mall as to deserve another designation entirely. Built in a Modernist building that was once a school, New Bahru is now home to more than 40 small shops, restaurants, cafes, creative hubs, wellness and fitness centres (and even serviced apartments). And it is championing Singapore design and creative entrepreneurship in an entirely new way.

First of all, the building. An example of Tropical Modernism, New Bahru was originally built in 1969 as a teachers’ training college and then became Nan Chiau High School until 2000. After that, it was used for various offices and other functions, until The Lo & Behold Group stepped in with a vision to create something entirely new.

Read more →