experiential

Review: John Wardle installation in Venice

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By Penny Craswell

If the purpose of architectural installations is to explore ideas, experiment with new materials and test new forms, then the installation “Somewhere Other” currently on show in Venice has well and truly achieved its brief. John Wardle Architects was one of only two Australian architecture studios (along with Room 11) selected to show as part of the 16th International Architecture Exhibition at the Venice Biennale of Architecture and worked with a range of collaborators on this work.

Somewhere Other by John Wardle Architects and collaborators. Image: Peter Bennetts

The exhibition theme this year, across both this exhibition and the whole biennale, is “Freespace”, through which curators Yvonne Farrell and Shelley McNamara of Irish studio Grafton Architects raise questions about how people relate to buildings and vice versa, what is private and what is public space, and what is the architect’s role in this equation.  Read more →

Garden Wall installation + NGV Triennial

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By Penny Craswell

Visiting the National Gallery of Victoria during Melbourne Design Week and the NGV Triennial of Art and Design last month, I was struck by the investment in design, architecture and art that is currently ongoing at the NGV, and the NGV Architecture Commission, now in its third year, is a case in point.

“Garden Wall” by Retallack Thompson and Other Architects, NGV Architecture Commission. Photo: John Gollings

Designed by Retallack Thompson and Other Architects, this year’s installation / architectural insertion is called “Garden Wall” and features a simple white fence that runs 250 metres and divides the garden into a series of “rooms” – each rectangular and permeable due to the perpendicular, semi-transparent character of its mesh walls. Read more →

Designing scent at The Blocks by Faye Toogood

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The Blocks by Faye Toogood. Photo: Paul Barbera
The Blocks by Faye Toogood. Photo: Paul Barbera

“Visitors are first brought to the centre of the space, where five timber sculptures stand like oversized totems. Dubbed “The Oaks,” each one is built in a unique geometry using a different type of timber, inspired by the five groups of grapes available for tasting: aromatic whites, chardonnay, varietal blends, regional and shiraz. “Based on the tasting notes that the sommeliers gave us, we reinterpreted that in terms of geometry,” explains Faye Toogood of Studio Toogood. “We placed the totems in a ring because there is a great mystique to wine which is quite spiritual.”

“In addition to this, each is infused with a different scent, created by Studio Toogood in partnership with Paris and New York-based perfumers Dawn and Samantha Goldworm at 12.29. The scents themselves are based on the tasting notes of each group of grapes; for example, the notes for the aromatic whites group are: pure, mineral, abstract, energy, sorbet, cool, altitude, elevation, pristine, vibrant. The resulting scents do not smell like wine but are related to the wine.”

This one’s a bit of a blast from the past – an article I wrote on The Blocks, an installation in Sydney by Faye Toogood, originally published in Artichoke magazine when I was Editor in 2012. My favourite thing about the project was the design of five scents – I love the idea of being able to create a new scent working with a perfumer.

Read the whole article (republished in full on architectureau.com) here.