furniture

Design and Indigenous Australia: Lucy Simpson and Nicole Monks

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By Penny Craswell

As a source of inspiration for designers and architects, Australian Indigenous culture should not be underestimated. At a recent talk on shield carving by Andrew Snelgar and Simon Penrose at the Art Gallery of NSW, I saw first hand the beauty of traditional shields, tools and weapons made by hand. I also learnt about practices such as the harvesting of timber from trees – up to two thirds of a tree can be removed without killing it.

 

Dhina digital print scarf. Image: courtesy © Lucy Simpson
Dhina digital print scarf designed by Lucy Simpson. Image: courtesy © Lucy Simpson

Two contemporary Indigenous designers drawing on Indigenous Australian traditions in their practices are Lucy Simpson, a textile and graphic designer who sells scarves, textiles, jewellery and objects under the name Gaawaa Miyay, and Nicole Monks, a designer working across art, interiors, fashion, set and surface design (Lucy and Nicole are both participants in the Arts NSW 2016 Indigenous Design Mentorship scheme facilitated by the Australian Design Centre). Read more →

Milan 2016: Ex.t thinks beyond the bathroom

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By Penny Craswell

Based in Florence, Italy, ex.t has always pushed boundaries when it comes to bathroom design, striving for simplicity and elegance while thinking outside the basics of bath, basin and bowl. This year, they launched two new ranges, in both cases commissioning a non-bathroom designer to create something different to go alongside their bathroom products.

Plateau and Raso designed by Sebastian Herkner for ex.t. Image: supplied
Plateau and Raso designed by Sebastian Herkner for ex.t. Image: supplied

In the case of the new Plataeu and Raso collection, German furniture designer Sebastian Herkner was approached to design a range that includes mirrors and pendant lights in addition to washbasin, console and bathtub. An architectural language is created through the use of a shelf that sits just behind and below the rim of the basin, console and bath, creating a functional space to rest bathroom items, while also adding the illusion of a shadow or extra dimension. The mirror features the same shadow, an extension to the oval shape by way of a transparent frame on one side only. Meanwhile, the Raso lighting pendants in pink, grey, white and transparent glass offer a complementary design object that softens the bathroom interior. Read more →

Object stories: Hoshi lounge by Tom Skeehan

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By Penny Craswell

The new Hoshi range, including lounge, armchair and bench, is the latest work by emerging Canberra-based designer Tom Skeehan, working with furniture supplier Stylecraft. Loosely translating as “star” in Japanese, Hoshi is inspired by the designer’s travels in Japan: “I have personally experienced their deep attraction to materials and process, combined with a rich understanding of how an object is made and the purpose / life cycle of the work.”

Hoshi lounge designed by Tom Skeehan for Stylecraft. Image: supplied
Hoshi lounge designed by Tom Skeehan for Stylecraft. Image: supplied

“Aesthetically, I admire the restraint and often minimal approach to many aspects of Japanese culture,  placing a strong emphasis on the overall process and individual daily ritual,” he adds. Read more →

Object stories: Carafe Table by Charles Wilson

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By Penny Craswell

The Carafe table has a visual and structural complexity to it that is characteristic of the work of Charles Wilson, a Sydney-based designer who worked in close collaboration with Herman Miller over a period of years to complete the project.

Living Edge_Carafe table designed by Charles Wilson for Herman Miller_009-5
Carafe table with drawer designed by Charles Wilson for Herman Miller


The underside features a series of compartments in moulded plywood including open shelves as well as a closed, sliding drawer that opens both ways, sloping inwards to create a geometry that is tucked in under the tabletop. The leg structure spans to the corners of the table, supporting the shelves but visually forming a third layer underneath that is drawn together at the centre in a distinctive T cross-section which Wilson says references industrial structures. Read more →

Object stories: Softly sofa by Nick Rennie

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By Penny Craswell

Melbourne designer Nick Rennie was recently in Paris where French design brand Ligne Roset launched his latest design at Maison & Objet – the Softly sofa. For Nick, the sofa is really about comfort, creating a compact shape with high cushions that provide effective support while being extremely comfortable.

Softly sofa by Melbourne designer Nick Rennie for Ligne Roset. Photo: supplied

“The idea came from placing a number of cushions together vertically to form the sides and the back of the sofa,” says Rennie. “It has quite a high seat level as well, so its super easy to get up from. And the higher back and sides also have a little flex to them and yet retain their stiffness, which allows great support.” Because of its compact size, the sofa is much more flexible than many other options. Read more →

Review: Scented Intoxication exhibition by Lyn and Tony

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By Penny Craswell

Lyn Balzer and Tony Perkins are a Sydney-based photography and designer/maker duo with an international sensibility, whose works are nevertheless deeply rooted in Australia. Their new exhibition at Sydney’s Australian Design Centre, called Scented Intoxication, features works made from a range of materials in two simple colours: black and white. But it is scent that is the most extraordinary feature of this exhibition.

Gallery view, Scented Intoxication. Photo: Australian Design Centre
Gallery view, Scented Intoxication. Photo: Supplied by Australian Design Centre

When you enter the exhibition space, it hits you right away, a beautiful, heady perfume that is not sweet or perfume-like in the traditional sense, but is reminiscent of burnt wood or native Australian vegetation or both. Lyn and Tony worked with French-born Australian-based Elise Pioch Balzac of Maison Balzac to create two scents for two scented candles: L’Obscurite (darkness) is a black candle with a scent inspired by one of Lyn and Tony’s photographs of a sea cave in Kiama NSW. Elise interpreted the image in a scent inspired by volcanic rocks using tree resin, birch tar and red cedar. The other scent is L’Etrangete (strangeness), a white candle with a scent inspired by another photograph by Lyn and Tony, this time of a waterfall in a lush rainforest. Elise interpreted this image of sunlight in greenery as a scent with lemon myrtle, native ginger and hemp. Read more →

Five of the best design installations at London Design Festival

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By Penny Craswell

As a fan of multi-disciplinary design as well as experimental projects, I was pleased to see so many design installations at this year’s London Design Festival. I have already covered three of the best installations in this blog: Heartbeat, an installation of 100,000 white balloons by French photographer Charles Pétillon, and two Faye Toogood installations (The Cloakroom and The Drawing Room) incorporating fashion, curatorship, making and sculpture. Here are five more and why they are interesting.

1) Curiosity Cloud by Viennese studio Mischer’Traxler at the V&A Museum

Curiosity Cloud by Mischler Traxler. Photo: Penny Craswell
Curiosity Cloud by Mischler Traxler. Photo: Penny Craswell
Curiosity Cloud by Mischler Traxler. Photo: PC
Curiosity Cloud by Mischler Traxler. Photo: PC

You enter an ornate room of the V&A filled with 264 suspended blown-glass bulbs hanging from the ceiling. In each bulb, a small insect hand-made out of transparent foil flutters against the side of the glass when it senses your movement. Katharina Mischer (1982) and Thomas Traxler (1981) met while studying at the Design Academy Eindhoven and started their practice in Vienna in 2009. Curiosity Cloud is part of their ongoing collaboration with champagne brand Perrier-Jouët exploring “small discoveries.” Read more →

Review: Faye Toogood installations at London Design Festival

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By Penny Craswell

The London Design Festival is a museum-focused design event, rather than a commercial fair, and this is evident in the number of installations, talks and object exhibitions included. Two of the most amazing installations this year were by London-based designer Faye Toogood: The Cloakroom at the V&A Museum and The Drawing Room at Somerset House.

Coats are made of Kvadrat fabric at The Cloakroom by Faye Toogood. Photo: supplied
Coats are made of Kvadrat fabric at The Cloakroom by Faye Toogood. Photo: supplied
I first met Faye when she visited Sydney for The Blocks, a multi-sensory installation she created for Penfolds Wine at Sydney’s Walsh Bay in 2012 (read my article here). At The Blocks, Faye reinterpreted five flavours of wine grapes using the sommelier’s notes, working with sculptors, perfumiers and artists to create the installation inspired by the description of the scent. This is typical of her approach, which is not only focused on making objects, but also includes a conceptual and curatorial element. Read more →

Irish Design at Tent London

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By Penny Craswell

At Tent London during the London Design Festival, I was impressed to see the high quality of Irish design at a government-funded exhibition organised by the Design & Crafts Council of Ireland. Called ‘Ó’, meaning ‘from’ in Gaelic, the exhibition’s focus was on design informed by decades-old craft techniques, remote locations and local materials. And they didn’t just show the finished works, but also presented live demonstrations of the crafts practitioners at work.

Atlantic Herringbone Throw by Foxford Woollen Mills, Fox & Rabbit and Bellevue Folly puzzle by Saturday Workshop, Multi purpose oak board by Tony Farrell. Photo: supplied
Atlantic Herringbone Throw by Foxford Woollen Mills, Fox & Rabbit and Bellevue Folly puzzle by Saturday Workshop, Multi purpose oak board by Tony Farrell. Photo: supplied

I saw ceramicist Adam Frew throw a beautiful bowl on the wheel and everyone around was mesmerised – with very few watching through their phones (rare in this day and age!). He prefers to work by throwing pots, using white porcelain, because it allows him to be fast and spontaneous in his making: “It is important to maintain a flow in the production while constantly developing the work. It is an on-going journey with every new piece inspired by the previous form,” says Adam (ref: Give Irish Craft). Read more →

Objects reborn from demolished house in Christchurch

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By Penny Craswell

What would happen if you took all the waste from one demolished house and used it to create new objects? This question is the foundation of a new exhibition, book and auction called “Whole House Reuse” in Christchurch, New Zealand. An initiative of social enterprise Rekindle, the project highlights the huge amount of landfill created by the construction industry each year, particularly in Christchurch which is still demolishing and rebuilding after the Christchurch Earthquake in 2011.

Reading station by David Trubridge Design Studio (David Trubridge, Marion Courtille, Mathilde Polmard, Mat Stott)
Reading station by David Trubridge Design Studio (David Trubridge, Marion Courtille, Mathilde Polmard, Mat Stott)


It took seven days for a professional salvage crew and team of volunteers to fully deconstruct the single storey house in the Christchurch suburb of New Brighton, leaving behind only the concrete ring foundation.

Read more →