object stories

Object Stories: Shaker Family Cabinet by Trent Jansen

despc

By Penny Craswell

Sydney-based designer Trent Jansen takes a research-led, anthropological approach to his work that often involves delving into the history of materials, movements and mythologies, and also includes cross-cultural collaboration.

Shaker Family Home by Trent Jansen. Photo: Romello Pereira

His most recent work, which is being exhibited as part of Local Milan at the Milan Furniture Fair in April 2019, is the Shaker Family Home. This piece is simultaneously a single work, and also a collection of works, with each part folding away into the structure of the main piece.

Read more →

Object Stories: Blue-Fluted Mega ceramics by Royal Copenhagen

despc

By Penny Craswell

When Danish ceramicist Karen Kjældgård-Larsen was in her final year of university, she had an idea for a pattern that was not only ingenious, but also would make her one of the most successful designers for historic Danish brand Royal Copenhagen.

Blue-Fluted Mega by Danish ceramicist Karen Kjældgård-Larsen. Image: Royal Copenhagen

Kjældgård-Larsen had grown up with Royal Copenhagen porcelain, in particular the classic Blue Fluted pattern her grandmother owned – this iconic pattern was designed for the Danish royal family in 1775 and is still in use today. Read more →

Object Stories: Jolly light by Kate Stokes

despc

By Penny Craswell

The new Jolly light by Melbourne designer Kate Stokes is all about round, joyous geometries. Translucent hand-blown glass forms a bold half sphere, while its solid metal shade creates a more introverted profile in matte black, eucalyptus, burgundy or polished brass. In the wall light variety, this shape hugs the wall, whereas in the pendant variety, it sits at a jaunty angle from straight metal rods.

Jolly light by Kate Stokes was launched at ICFF in New York alongside SIA chair by Tom Fereday. Photo: Mike Baker

 

Launched at the recent International Contemporary Furniture Fair (ICFF) in New York, the light is produced by Australian design brand NAU, which also launched the SIA chair by Tom Fereday at the same event, presenting an Australian design showcase to the world stage.  Read more →

Object Stories: Potter DS Lights by Bruce Rowe

despc

By Penny Craswell

Designed by Bruce Rowe from Melbourne’s Anchor Ceramics, the Potter DS is a series of lights made by hand in the studio using traditional pottery techniques.

Potter DS wall light designed by Bruce Rowe of Anchor Ceramics. Photos: Haydn Cattach taken for Rakumba Lighting

A simple vertical cylinder of clay forms the wall format of the Potter DS, with a subtle indentation in its body giving it the appearance of having two segments. A slit provides an opening to the light source within that glows against the wall behind. Read more →

Object stories: Beraking table by Jack Flanagan

despc

By Penny Craswell

This unusual design replaces traditional table legs with three large balls that allow the table to roll across the floor. Perth furniture designer Jack Flanagan was inspired by ball bearings, and in particular by the spherical stones that make up the gravel roads in Western Australia and create a slippery surface for rally car drivers.

Beraking table by Jack Flanagan. Photo: Toby Peet. Image: The Design Writer
Beraking table by Jack Flanagan. Photo: Toby Peet

“[These stones are] completely unique to the south west of Western Australia,” Flanagan explains. “I was interested in the way in which, when driven on, it becomes very slippery due to the spherical stones rolling over the hard compact base. I became well experienced with this sensation in my past as a rally driver.” Read more →

Object stories: Pacific chair by Barber Osgerby

despc

By Penny Craswell

Last night, the new Pacific task chair by Vitra was launched by Unifor/Vitra at the Museum of Contemporary Art in Sydney. The guest of honour was Edward Barber, one half of British design duo Barber Osgerby, who spoke at length about recent projects.

Pacific Chair by Barber Osgerby for Vitra. Image: Vitra

I caught up with Edward after the talk for a quick chat and to find out what makes the Pacific chair special. First of all, it’s important to understand that the challenge of designing a new task chair is immense. This incredibly competitive market is dominated by a few key companies – for whatever reason, interior designers seem to settle on a few key chairs that they specify over and over again for workplace projects large and small. Read more →

Object Stories: Toku furniture by Gavin Harris

despc

By Penny Craswell

The production and sale of Australian design by Australian furniture retailers continues its magnificent rise with the release of several new ranges this year, including Toku, a furniture collection designed by Sydney-based Gavin Harris for Schiavello.

Toku designed by Gavin Harris for Schiavello. Image: Schiavello

The range is low-lying, available in a range of materials, most prominently a blonde or coloured timber and upholstery including some soft secondary colours, marking the move away from the bold primaries that used to dominate the workplace – almost playground-like in their bold colours and shapes as if we were not adults after all. Read more →

Object stories: Hoshi lounge by Tom Skeehan

despc

By Penny Craswell

The new Hoshi range, including lounge, armchair and bench, is the latest work by emerging Canberra-based designer Tom Skeehan, working with furniture supplier Stylecraft. Loosely translating as “star” in Japanese, Hoshi is inspired by the designer’s travels in Japan: “I have personally experienced their deep attraction to materials and process, combined with a rich understanding of how an object is made and the purpose / life cycle of the work.”

Hoshi lounge designed by Tom Skeehan for Stylecraft. Image: supplied
Hoshi lounge designed by Tom Skeehan for Stylecraft. Image: supplied

“Aesthetically, I admire the restraint and often minimal approach to many aspects of Japanese culture,  placing a strong emphasis on the overall process and individual daily ritual,” he adds. Read more →

Object stories: Softly sofa by Nick Rennie

despc

By Penny Craswell

Melbourne designer Nick Rennie was recently in Paris where French design brand Ligne Roset launched his latest design at Maison & Objet – the Softly sofa. For Nick, the sofa is really about comfort, creating a compact shape with high cushions that provide effective support while being extremely comfortable.

Softly sofa by Melbourne designer Nick Rennie for Ligne Roset. Photo: supplied

“The idea came from placing a number of cushions together vertically to form the sides and the back of the sofa,” says Rennie. “It has quite a high seat level as well, so its super easy to get up from. And the higher back and sides also have a little flex to them and yet retain their stiffness, which allows great support.” Because of its compact size, the sofa is much more flexible than many other options. Read more →