A Hawaiian-style verandah that opens completely to the outdoors has transformed an introverted Federation Queen Anne era 1900s house in Sydney’s North Shore, with design by Luigi Rosselli Architects. The architecture team were inspired by the Hawaiian ‘lanai’ verandah which is usually furnished – more like an open-sided living room that the traditional verandah.
In order to create a true ‘lanai’ verandah, the architects designed custom shutters that are tall and able to slide, as well as being supported column-free over the long span of the verandah, with options for various levels of shading according to the sun, wind and other environmental factors. Read more →
Rolf Hay visited Australia at the end of January to open the new HAY Sydney store with retail partner Cult. Here is my interview with Rolf Hay on communicating design, the pros and cons of storytelling and what sets Danish design apart.
Penny Craswell: I’m interested in your approach to communicating design, because I’m writing my Masters in Design on design narratives at the moment.
Rolf Hay: To be honest we have always tried to be quite straightforward with communication. I’ve always had problems in wrapping products into stories. Storytelling is interesting if it’s relevant, the question is what is the important information. It’s different when it comes to communication of the brand and the values of the brand. But for products, we try to do as little as possible.
PC: I’m interested in which stories are told about products – and I have been quite critical of the celebrity designer angle.
RH: I totally agree. I think in the fashion industry and the furniture and design industry, a lot of people perhaps feel a little bit insecure in the fancy salons. The design industry has a reputation for being arrogant and hard to get. This has to do with an overload of information and stories behind how fantastic the company is, and how amazing the products are. For us, it’s important when we meet our clients that we meet them with an open and honest attitude. And of course it has been very important that we meet the client with a lot of knowledge about the product – about materials, about production, about environmental issues. For the client it’s less important if the designer had an idea to do this chair when he was at the beach or on the toilet. Read more →
In the Perth suburb of Mt Lawley, a sculptural form pops out above the houses, an irregular tower made of red clay shingles that seems to wrap in on itself in an unusual architectural shape that is also strangely familiar. This is the Camino House, a Perth house extension designed by Bosske and inspired by the shape of a kiln or oast (a traditional building where hops is dried as part of the brewing process).
“We initially envisaged the extension as a distinct object, as different to the existing house,” explains Caroline Hickey of Bosske. “It could be something which might ‘sit’ behind it, lean against it, looming above it from the street view, creating a casual relationship between these two elements.” Read more →