On a recent visit to Denmark, I was totally overwhelmed by the quality and quantity of beautiful Danish design objects. Probably my favourite store was Illums Bolighus, which is conveniently located next door to Georg Jensen and Royal Copenhagen in Copenhagen’s main square (opposite the excellent Cafe Norden).
From ceramics to glass, metalwork to leather, I have included my favourite Danish design pieces and brands in a handy list for those travelling to Denmark or just wanting some design inspiration.
Kähler first started creating ceramics in Denmark in 1889. The Hammershøi series, designed by Norwegian designer Hans-Christian Bauer, is a modern interpretation of the classic ceramic vases that Dane Svend Hammershøi created for Kähler in the early 19th century. The new version features the same distinctive vertical ribs.
In Como, a small town on the southern shore of Lake Como north of Milan, the Museo della Seta (Silk Museum) recently showed the textile works of Lithuanian artist Inga Liksaite in a solo exhibition called ‘Waterhome’.
That House by Inga Liksaite. Image: supplied
The works are a mixture of hand-stitching and machine-stitched canvases, making use of small stitches to create a pattern that only translates its subject when viewed from afar, like an Impressionist painting.
There is no question that the world is in climate crisis, with school children on strike and increasing numbers of governments around the world declaring a climate emergency, so the theme of the XXII edition of the Triennale di Milano this year is particularly apt. Broken Nature: Design Takes on Human Survival is an exhibition and series of international installations that explores what designers are doing to tackle the problem.
Totems, Neri Oxman and the Mediated Matter Group at Massachusetts Institute of Technology. Triennale Milano. Photo: Gianluca Di Ioia
Broken Nature takes as its starting point the inevitable extinction of humans and explores the myriad ways that designers are attempting to tackle the problem. “Humanity is in peril… the strain we are placing on environmental bonds is significant, the needle measuring the tension is already in the critical zone, and the pressure is mounting,” writes Italian-born NY-based curator Paola Antonelli in the catalogue essay.
On the ground floor of the Harbour Rocks Hotel, with dining overlooking busy pedestrian street Nurses Walk in Sydney’s The Rocks, is Tayim, a new restaurant, bar and deli with design by architecture studio Welsh & Major. The exterior brick facade has been restored and updated, while the interiors are a lesson in successful adaptive reuse, pairing historic sandstone walls with minimal design insertions to create a blank canvas for complex Middle Eastern flavours.
The kitchen at Tayim restaurant, Harbour Rocks Hotel by Welsh & Major. Photos: Tom Ferguson
The project was made all the more challenging by the heritage constraints to the site, which was previously the 1890s Evans’ Stores warehouse, as well as the considerable functional requirements of creating a working restaurant, bar and deli.
Five Mile Radius is a Brisbane-based practice whose approach to architecture centres around the use of locally-sourced building materials in construction. Clare Kennedy founded the studio alongside a group of architects and students, working on a range of building and art projects, as well as various workshops, educational events and other public engagement programs.
Shingles at Jungle Love, design by Five Mile Radius. Photo: Markos Huges
“Responding to the growing need to move away from globalised supply chains to more self sufficient models, we are working on a future where Australians can build using ethically sourced resources from their own shores,” explains Clare Kennedy from Five Mile Radius. “Our practice begun with hands-on material experimentation for art commissions. We tested our ideals by making things then quickly realising our limitations. Although we are now working on larger projects for commercial and private clients, every project still involves this process of hands-on prototyping and testing.”
Sydney-based designer Trent Jansen takes a research-led, anthropological approach to his work that often involves delving into the history of materials, movements and mythologies, and also includes cross-cultural collaboration.
Shaker Family Home by Trent Jansen. Photo: Romello Pereira
His most recent work, which is being exhibited as part of Local Milan at the Milan Furniture Fair in April 2019, is the Shaker Family Home. This piece is simultaneously a single work, and also a collection of works, with each part folding away into the structure of the main piece.
High Tea with Mrs Woo was a proponent of slow fashion before the term was even invented. The label is run by three sisters from Newcastle – Rowena, Juliana and Angela Foong – who began their careers in fashion running a second-hand clothing store while they were at university. Right from the beginning, the trio were all about recycling, remaking and making the most of existing fashion. “We were upcycling pre-loved garments, sourcing vintage fabrics and using deadstock fabrics from a remnant warehouse,” explains Rowena Foong, “but we weren’t making enough money to pay the rent!”
Rowena, Juliana and Angela Foong from High Tea with Mrs Woo. Photo: Alexander McIntyre
The next step was to create their own fashion label, High Tea with Mrs Woo, which was launched in 2004. And it’s fair to say that it has been a remarkable success – not only has the brand received awards and acclaim, it has achieved longevity in a field that’s all about what’s new. All three sisters are still based in Newcastle, still in the same retail store and manufacturing from their studio workshop 15–18 years on. They are also still producing garments by their own hands using high quality natural fibre fabrics.
Guest contributor and European correspondent Lara Chapman visits ‘GEO-DESIGN – Alibaba. From here to your home’ at the Van Abbe Museum in Eindhoven as part of a collaboration with the Design Academy Eindhoven (DAE) for Dutch Design Week.
Wednesday, 7:39pm: Click. A new tab is opened. Tap tap tap. A few keys are pressed. Enter. Scroll. Select. Click. Tap tap tap. A query is typed. Ping, a reply is received. Click. An Item is added to the basket. Click. Details are autofilled. Click. *Ping*. Confirmation email is received at 7:47pm.
Friday, 10:19am: *Ding Dong.* A Door is opened. A “pen” scratches on glass. A package swaps hands.
This scenario seems unremarkable, possibly even mundane. The cycle of search, browse, purchase, repeat, is constantly taking place online. However, for research designer Martina Muzi, e-commerce is an “incredibly urgent topic”. The ease of our interaction with e-commerce platforms belies a complex and sophisticated infrastructure that is entangled with areas such as political diplomacy, psychology, logistics, algorithms and new forms of labour. E-commerce is shaping our everyday behaviours in subtle but undeniable ways. Furthermore, its forces are invisibly shifting and re-defining contemporary geopolitics.
‘Live Streaming’ by Jing He. Photography by Tommy Köhlbrugge, courtesy of Design Academy Eindhoven
At the exhibition ‘GEO-DESIGN – Alibaba. From here to your home’, nine multidisciplinary design researchers examined China’s largest e-commerce website Alibaba.com from diverse angles. Held as part of an ongoing collaboration between the Van Abbe Museum and the Design Academy Eindhoven (DAE) as part of Dutch Design Week, the investigation-led project was conceived and curated by Martina Muzi and Joseph Grima. The selected designers, who are all alumni of DAE, had just two months from their briefing to the exhibition and undertook an intensive process of research, concept development and realisation. Read more →
Three large dome-like woven structures have been installed in a seating area at Westpac’s Sydney headquarters as a physical manifestation of the bank’s Reconciliation Action Plan. Conceived and designed by Yuwaalaraay woman Lucy Simpson, these “Reflection Pods” are as part of the bank’s new interiors by the design team at Geyer, who worked with Simpson to realise her concepts.
Reflection Pods at Westpac Sydney by Lucy Simpson, Koskela and 21 Indigenous artists from the Northern Territory. Photo: Maree Homer
Initially Simpson had envisioned that local artists would weave the Reflection Pods, but in the end, the structures were woven by artists from Elcho Island Arts and Milingimbi Art and Culture thanks to a collaboration with Australian design brand Koskela. Koskela already has a history of working with the artists from Elcho Island Arts on their Yuta Badayala series of light shades. Read more →
There is no doubt that the world of architecture and interiors has been under the calming, ordered influence of modernism and minimalism for a long time. Especially in Australia, the majority of designers prefer clean lines, simple colour palettes and form follows function – there’s even a magazine about it. But if you sometimes like breaking rules and shaking things up a bit, Maximalism may give you the licence to follow your patterned dreams.
Maximalism is a direct response to Minimalism – it layers bold pattern and colour on top of each other. Fabulously expressive, Maximalist interiors and designs offer the designer to get really creative – to explore play and to indulge in an orgy of extremes.
Drake Commissary in Toronto, mural by artist Alex McLeod. Photo: Toni Hafkenscheid
The Drake Commissary in Toronto includes the work of a number of artists in an evolving exhibition called “Fast Forward”. Most spectacular is a huge mural by artist Alex McLeod called Ancient Hills, which spans 10+ metres and depicts an incredible fantasy landscape created using 3D modelling tools. Other works include textile works, sculptural pieces and video art.
