Object Stories: 1 Hour Bag by Dowel Jones

By Penny Craswell

Fabric waste is a huge contributor to landfill and, while textiles can be recycled, it doesn’t happen as much as it could or should. Enter Adam Lynch and Dale Hardiman of Melbourne design studio Dowel Jones and their concept, New Model, a zero-waste approach to design. The first project for New Model, the 1 Hour Bag designed by Soft Serve Studio, utilises surplus, remnant and waste materials.

Blue bag, New Model by Adam Lynch and Dale Hardiman

The 1 Hour Bag is made from pieces of upholstery fabric that are too small to be used for upholstery and would otherwise go to waste. The majority of the bag is made from this recycled material, with any small parts made from new material coloured bright green to provide maximum transparency on which parts of the bag are recycled.

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Review: Lucy McRae: Body Architect

By Penny Craswell

In The Institute of Isolation, a woman in a beige body suit with padding, cap and sneakers goes through a sequence of actions alone. She runs along a raised concrete platform, she breathes through a mask, she visits an anechoic (sound-absorbtion) chamber, she steps the internal circumference of a microgravity trainer while suspended from the ceiling. A voice-over describes her mission: she is preparing for space travel.

The Institute of Isolation by Lucy McRae. Image: supplied

This is the most recent work of Australian-born, LA-based artist Lucy McRae to be included in her first solo exhibition Lucy McRae: Body Architect, currently showing at the National Gallery of Victoria in Melbourne and curated by Simone LeAmon. As a filmic imagining of the preparation for a female body to travel to space, The Institute of Isolation encapsulates many of the themes in McRae’s work, including her fascination with testing the limits of the body (physical and psychological) and her preoccupation with the future.

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Ethics in Practice: Fashion design with High Tea with Mrs Woo

By Penny Craswell

High Tea with Mrs Woo was a proponent of slow fashion before the term was even invented. The label is run by three sisters from Newcastle – Rowena, Juliana and Angela Foong – who began their careers in fashion running a second-hand clothing store while they were at university. Right from the beginning, the trio were all about recycling, remaking and making the most of existing fashion. “We were upcycling pre-loved garments, sourcing vintage fabrics and using deadstock fabrics from a remnant warehouse,” explains Rowena Foong, “but we weren’t making enough money to pay the rent!”

Rowena, Juliana and Angela Foong from High Tea with Mrs Woo. Photo: Alexander McIntyre

The next step was to create their own fashion label, High Tea with Mrs Woo, which was launched in 2004. And it’s fair to say that it has been a remarkable success – not only has the brand received awards and acclaim, it has achieved longevity in a field that’s all about what’s new. All three sisters are still based in Newcastle, still in the same retail store and manufacturing from their studio workshop 15–18 years on. They are also still producing garments by their own hands using high quality natural fibre fabrics.

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