Object Stories: 1 Hour Bag by Dowel Jones

By Penny Craswell

Fabric waste is a huge contributor to landfill and, while textiles can be recycled, it doesn’t happen as much as it could or should. Enter Adam Lynch and Dale Hardiman of Melbourne design studio Dowel Jones and their concept, New Model, a zero-waste approach to design. The first project for New Model, the 1 Hour Bag designed by Soft Serve Studio, utilises surplus, remnant and waste materials.

Blue bag, New Model by Adam Lynch and Dale Hardiman

The 1 Hour Bag is made from pieces of upholstery fabric that are too small to be used for upholstery and would otherwise go to waste. The majority of the bag is made from this recycled material, with any small parts made from new material coloured bright green to provide maximum transparency on which parts of the bag are recycled.

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Object Stories: Jolly light by Kate Stokes

By Penny Craswell

The new Jolly light by Melbourne designer Kate Stokes is all about round, joyous geometries. Translucent hand-blown glass forms a bold half sphere, while its solid metal shade creates a more introverted profile in matte black, eucalyptus, burgundy or polished brass. In the wall light variety, this shape hugs the wall, whereas in the pendant variety, it sits at a jaunty angle from straight metal rods.

Jolly light by Kate Stokes was launched at ICFF in New York alongside SIA chair by Tom Fereday. Photo: Mike Baker

 

Launched at the recent International Contemporary Furniture Fair (ICFF) in New York, the light is produced by Australian design brand NAU, which also launched the SIA chair by Tom Fereday at the same event, presenting an Australian design showcase to the world stage.  Read more

Object Stories: Potter DS Lights by Bruce Rowe

By Penny Craswell

Designed by Bruce Rowe from Melbourne’s Anchor Ceramics, the Potter DS is a series of lights made by hand in the studio using traditional pottery techniques.

Potter DS wall light designed by Bruce Rowe of Anchor Ceramics. Photos: Haydn Cattach taken for Rakumba Lighting

A simple vertical cylinder of clay forms the wall format of the Potter DS, with a subtle indentation in its body giving it the appearance of having two segments. A slit provides an opening to the light source within that glows against the wall behind. Read more

Highlights from Melbourne Design Week

By Penny Craswell

This year’s Melbourne Design Week centred on the topic “design values”, covering furniture, objects, installations, publishing and architecture. Apart from the National Gallery of Victoria (NGV), the other key venue for exhibitions and events was Watchmakers, a temporary exhibition space in Collingwood donated by the owner of Piccolina Gelateria, who will be building their kitchen and gelateria in the space following the event. Folk Architects was responsible for its transformation, stripping back the space to its original patina and applying subtle use of mirrored Laminex to provide an ideal site for the experimental exhibitions within. Here are some of the highlights of this year’s event.

1. 26 Original Fakes

This exhibition at the Watchmakers venue by young designer/curators Dale Hardiman and Tom Skeehan of Friends & Associates challenged 26 designers to modify a fake Jasper Morrison Hal chair as a statement on Australia’s replica industry. The resulting show explored a huge range of issues, from authenticity, to ethics, to material concerns, with a dose of humour thrown in. I was very pleased to write the accompanying exhibition text myself – see my separate post. More on 26 Original Fakes.

Tom Skeehan (left) and Dale Hardiman (right), curators of 26 Original Fakes at Watchmakers, part of Melbourne Design Week. Image: supplied

Exhibition view of 26 Original Fakes. Photo: Wayne Taylor

 

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