Author: despc

Review: Royal Nut Company

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By Penny Craswell

Breathe Architecture has transformed a vacant warehouse into the new home of the Royal Nut Company, a family business that has been selling wholesale nuts in Melbourne’s Brunswick for more than 30 years.

Royal Nut Company by Breathe Architecture. Image: supplied

Breathe Architecture’s approach to the adaptive reuse of the building was to maintain the industrial aspects of the existing architecture, including exposed roof trusses, high-level steel windows, existing brickwork and concrete floors, while creating a functional space for the production, packaging and retail sale of nuts.

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Object Stories: Colour Shift Panel Rose by Rive Roshan

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By Penny Craswell

Colour Shift Panel Rose is one of a series of works by Ruben de la Rive Box and Golnar Roshan from Amsterdam studio Rive Roshan that explores subtle shifts of colour and the way light reflects and alters a room.

Colour Shift Panel Rose by Rive Roshan. Image: supplied by Sally Dan Cuthbert Gallery, Sydney

Light, reflection and colour shifts are an important part of Rive Roshan’s work, which blurs the boundaries of art and design. They have described the colour effect of the Colour Shift Panel Rose as inspired by the soft light of Amsterdam.

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Review: Marrickville Library by BVN

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By Penny Craswell

The new Marrickville Library by BVN is a strikingly beautiful adaptive reuse of an existing hospital building, which was originally built in 1871 and is heritage listed. BVN won an invited design competition for their scheme, which favours a community-first approach with a heavy emphasis on sustainable building practices.

Marrickville Library entrance by BVN. Photo: Brett Boardman

“Incorporating a building as historically rich as the old Marrickville Hospital, and developing it into a piece of contemporary architecture, to meet the needs of Marrickville’s diverse community, was a truly rewarding project for us,” says BVN Project Director Brian Clohessy.

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Review: Lucy McRae: Body Architect

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By Penny Craswell

In The Institute of Isolation, a woman in a beige body suit with padding, cap and sneakers goes through a sequence of actions alone. She runs along a raised concrete platform, she breathes through a mask, she visits an anechoic (sound-absorbtion) chamber, she steps the internal circumference of a microgravity trainer while suspended from the ceiling. A voice-over describes her mission: she is preparing for space travel.

The Institute of Isolation by Lucy McRae. Image: supplied

This is the most recent work of Australian-born, LA-based artist Lucy McRae to be included in her first solo exhibition Lucy McRae: Body Architect, currently showing at the National Gallery of Victoria in Melbourne and curated by Simone LeAmon. As a filmic imagining of the preparation for a female body to travel to space, The Institute of Isolation encapsulates many of the themes in McRae’s work, including her fascination with testing the limits of the body (physical and psychological) and her preoccupation with the future.

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Koskela launches Ngalya lighting collection

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By Penny Craswell

Ngalya is a project by Koskela that celebrates contemporary Indigenous fibre arts in Australia. This powerful work that play an important role maintaining cultural practice is also incredibly sought after as lighting.

Ngalya is a new Koskela range of lighting created in collaboration with six Aboriginal and Torres Strait Islander art centres from around Australia. Photo: supplied

Created to mark 10 years of Koskela’s collaboration with Indigenous Arts Centres (that began with Yuta Badayala by the weavers of Elcho Island Arts), Ngalya sees Koskela working with Indigenous makers from six different Arts Centres across Australia to create a series of completely new lighting designs.

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Object Stories: Confetti armchair by Design by Them

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By Penny Craswell

The latest collection from Sarah Gibson and Nicholas Karlovasitis, designers and owners of Sydney brand Design By Them, is called Confetti, named for its vibrant multi-coloured material made from 100% recycled plastic.

Confetti Armchair, Ottoman and Modular Lounge. Image: supplied

The range includes an armchair, bench, modular lounge, booth and ottoman, which combine the recycled plastic with upholstered shapes in a range of colours, and a series of tables, an umbrella stand and a planter.

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Sydney bayside home, with bookcase

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By Penny Craswell

Sam Crawford Architects has refreshed and rationalised the interiors of this townhouse in Sydney’s Blackwattle Bay to create an expanded, streamlined and light-filled home with a focus on the beautiful things in life, including art, objects, books, and views of the bay and city skyline beyond.

Blackwattle Bay Townhouse by Sam Crawford. Photo: Anson Smart
Blackwattle Bay Townhouse by Sam Crawford. Photo: Anson Smart

The first step in this renovation was to shift and expand the kitchen and living areas by moving the study. The newly enlarged kitchen features a generous brass-clad island bench as a centrepiece, with green tiles on the splashback, white cabinetry on the back wall and black cabinetry on the island. Along one side of the kitchen and adjoining living area, a wall of plain white cupboard doors conceals a large pantry to the left and a stunning drinks cabinet and bar with wine storage in warm timber to the right.

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Top 10: Danish design objects

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By Penny Craswell

On a recent visit to Denmark, I was totally overwhelmed by the quality and quantity of beautiful Danish design objects. Probably my favourite store was Illums Bolighus, which is conveniently located next door to Georg Jensen and Royal Copenhagen in Copenhagen’s main square (opposite the excellent Cafe Norden).

From ceramics to glass, metalwork to leather, I have included my favourite Danish design pieces and brands in a handy list for those travelling to Denmark or just wanting some design inspiration.

Hammershøi vase by Hans-Christian Bauer for Kähler, Finnish Design Shop

Kähler first started creating ceramics in Denmark in 1889. The Hammershøi series, designed by Norwegian designer Hans-Christian Bauer, is a modern interpretation of the classic ceramic vases that Dane Svend Hammershøi created for Kähler in the early 19th century. The new version features the same distinctive vertical ribs.

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Review: Waterhome by Inga Liksaite

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By Penny Craswell

In Como, a small town on the southern shore of Lake Como north of Milan, the Museo della Seta (Silk Museum) recently showed the textile works of Lithuanian artist Inga Liksaite in a solo exhibition called ‘Waterhome’.

That House by Inga Liksaite. Image: supplied

The works are a mixture of hand-stitching and machine-stitched canvases, making use of small stitches to create a pattern that only translates its subject when viewed from afar, like an Impressionist painting.

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Review: ‘Broken Nature’ Triennale in Milan

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By Penny Craswell

There is no question that the world is in climate crisis, with school children on strike and increasing numbers of governments around the world declaring a climate emergency, so the theme of the XXII edition of the Triennale di Milano this year is particularly apt. Broken Nature: Design Takes on Human Survival is an exhibition and series of international installations that explores what designers are doing to tackle the problem.

Totems, Neri Oxman and the Mediated Matter Group at Massachusetts Institute of Technology. Triennale Milano. Photo: Gianluca Di Ioia
Totems, Neri Oxman and the Mediated Matter Group at Massachusetts Institute of Technology. Triennale Milano. Photo: Gianluca Di Ioia

Broken Nature takes as its starting point the inevitable extinction of humans and explores the myriad ways that designers are attempting to tackle the problem. “Humanity is in peril… the strain we are placing on environmental bonds is significant, the needle measuring the tension is already in the critical zone, and the pressure is mounting,” writes Italian-born NY-based curator Paola Antonelli in the catalogue essay.

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