This unusual design replaces traditional table legs with three large balls that allow the table to roll across the floor. Perth furniture designer Jack Flanagan was inspired by ball bearings, and in particular by the spherical stones that make up the gravel roads in Western Australia and create a slippery surface for rally car drivers.
“[These stones are] completely unique to the south west of Western Australia,” Flanagan explains. “I was interested in the way in which, when driven on, it becomes very slippery due to the spherical stones rolling over the hard compact base. I became well experienced with this sensation in my past as a rally driver.” Read more →
It seems that us city-dwellers have gone crazy for all things green over the last couple of years, and Melbourne designer Helen Kontouris has responded with an inspired take on the screen that also acts as a planter, creating curtains of vertical greenery that will suit the smallest interior space or balcony.
Designed for LEN Furniture, the Botanical Planter Screen is self-watering and suits climbing plants, with only one plant per screen required for the full effect – you can even plant climbing vegetables like tomatoes, passionfruit or snow peas. Read more →
The production and sale of Australian design by Australian furniture retailers continues its magnificent rise with the release of several new ranges this year, including Toku, a furniture collection designed by Sydney-based Gavin Harris for Schiavello.
The range is low-lying, available in a range of materials, most prominently a blonde or coloured timber and upholstery including some soft secondary colours, marking the move away from the bold primaries that used to dominate the workplace – almost playground-like in their bold colours and shapes as if we were not adults after all. Read more →
This year, for me, Milan Design Week is all about The Milan Report 2017, a self-publishing venture that I’m launching along with the excellent Giovanna Dunmall (London design expert and writer) and Marcus Piper (multi-talented graphic designer, designer, typographer and writer).
We’re currently putting together a range of design week Q&As, themed features, diaries, picks, contributions from experts, as well as original photography, graphic design and typography – to see for yourself, pre-order here.
And, while I dedicate my time to that, check out a few highlights in picture form as follows – all photos taken by me.
This exhibition text was originally written by Penny Craswell for 26 Original Fakes, an exhibition curated by Dale Hardiman and Tom Skeehan of Friends & Associates as part of Melbourne Design Week.
Fake furniture takes the original design and perverts it. The image in the magazine might look the same, but the object is fundamentally different – not just in quality, longevity, function and aesthetics, but also in its very essence. What makes the original authentic is stripped away and all you are left with is an empty simulation. Read more →
The work of Perth-based designer Penelope Forlano explores memories, heirlooms and intergenerational meaning. En_Case (Engraved Casegoods) is a modular furniture piece with a series of patterns laser engraved to form texture on timber. These patterns act as visual snippets of memory; new combinations can be selected from a wide range of patterns to create a personal, customised version.
For this particular piece, Forlano conducted an interview with a family about their personal and ancestral past, going back as many generations as they knew about. Recurring or overlapping themes and stories, including significant places and experiences, were then translated into patterns. Read more →
Marlu (kangaroo) is a new range of furniture by Indigenous Australian designer Nicole Monks that draws on her rich cultural heritage in a highly crafted, bespoke series of design furniture pieces that are profoundly Australian. (See my previous article on Lucy Simpson and Nicole Monks)
Launched at the Australian Design Centre in Sydney last week, the range features three seating elements: ‘wabarn-wabarn’ (bounce) inspired by the movement of a kangaroo, ‘walarnu’ (boomerang) inspired by the shape of the boomerang used to hunt the kangaroo and ‘nyinajimanha’ (Sitting Together) inspired by the gathering around a table or camp fire to eat kangaroo tail stew. Read more →
The news that David Bowie was a big collector of Memphis (over 100 items will go on auction at Sotheby’s in London on 11 November) makes sense – both were on the cutting edge of style in the 1980s and there is a little something of Ziggy Stardust in many of the designs.
Reflecting on Memphis, the Milan-based collective led by Ettore Sottsass that launched onto the international design stage in 1981, it is interesting to note its place in design history. Read more →
As a source of inspiration for designers and architects, Australian Indigenous culture should not be underestimated. At a recent talk on shield carving by Andrew Snelgar and Simon Penrose at the Art Gallery of NSW, I saw first hand the beauty of traditional shields, tools and weapons made by hand. I also learnt about practices such as the harvesting of timber from trees – up to two thirds of a tree can be removed without killing it.
Two contemporary Indigenous designers drawing on Indigenous Australian traditions in their practices are Lucy Simpson, a textile and graphic designer who sells scarves, textiles, jewellery and objects under the name Gaawaa Miyay, and Nicole Monks, a designer working across art, interiors, fashion, set and surface design (Lucy and Nicole are both participants in the Arts NSW 2016 Indigenous Design Mentorship scheme facilitated by the Australian Design Centre). Read more →
The Sprint chair by Hong Kong-based US designer Sean Dix is a lightweight, stackable chair and stool with a simple profile that belies its complexity. Originally developed specifically for the Bar Veloce, an Italian bar in Beijing, the series was named after the Vespa “Sprint Veloce” which is an Italian design classic.
The origins of Sprint as a bespoke design for an interior are characteristic of many of Dix’s industrial design projects since he also runs his own interior design practice and often will design products for an interior that subsequently have a life of their own. For Dix and his team, the opportunity to feed industrial and interior design projects off each other brings many advantages, both creatively and for the business. Read more →