This year’s Ethical gift guide, which once again highlights the work of designers whose work is sustainable, socially inclusive, charitable or otherwise ethical, has been put together with the help of Nicky Lobo and Jess Noble from The Good Outfit, an ethical fashion news source “without all the beige”. Thank you Nicky and Jess for this stellar list of items, all of which are available now to help you make your Christmas shopping an all-good affair.
1. If your present wrapping usually makes people cry on Christmas Day, Ashira and Kin has a solution that will put you in a new light. This brand-new Sydney-based collective aims to ‘explore diversity; educate and empower makers and consumers; and encourage intercultural exchange’ by bringing products from artisans, makers and designers across Nepal and The Philippines to Australia. These LOK-TA reusable gift bags and wine bags are crafted in ethically grown and sourced handmade LOK-TA paper made from the local Nepalese Daphne plant. Adding panache to the paper, original artworks preserve and celebrate painting traditions that have been passed down through generations of women in the Mithila regions. Read more →
The production and sale of Australian design by Australian furniture retailers continues its magnificent rise with the release of several new ranges this year, including Toku, a furniture collection designed by Sydney-based Gavin Harris for Schiavello.
The range is low-lying, available in a range of materials, most prominently a blonde or coloured timber and upholstery including some soft secondary colours, marking the move away from the bold primaries that used to dominate the workplace – almost playground-like in their bold colours and shapes as if we were not adults after all. Read more →
From hand-made to mass production, textiles have the power to tell stories and increasingly furniture designers are finding opportunities to cross over into the fashion world. Penny Craswell explores new concepts and material qualities in textiles and fashion at Milan this year.
In the flagship showroom of Swedish textile company Kinnasand at Corso Monforte, a series of kite-like shields fly overhead, an installation created by Studio Weiki Somers from Rotterdam. The installation is the material manifestation of a new research initiative called Kinnasand LAB in which design director Isa Glink collaborates with external designers to interpret existing textiles and innovate new products for the brand. The resulting product – Shield – consists of semi-transparent layers of embroidered fabric with wooden panels, like large ice-cream sticks, that can bring rigidity and weight to the fabric or be removed to increase flexibility and transparency. For Weiki Somers the experience of working with Kinnasand made her reflect on the qualities of textiles: “The qualities of a material can strengthen the connection between a person and an object. Especially textiles can stimulate our senses and more than other materials they can evoke memories and emotions, and make you feel at home,” she says. Read more →
Australia’s relaxed outdoor lifestyle, unique natural beauty, history and culture are reflected in our approach to architecture. Seven architects and interior designers reflect on the character of Australian design.
Australian architects are influenced, like all architects, by the context of their project – whether that’s a bush setting, an ocean view or an urban laneway. In Australia, this sometimes means taking account of proximity to the bush, potential floods and fires, access to fresh water. Our tendency to spend a lot of time in the great outdoors has also had a huge influence on our design choices. Architect Peter Stutchbury believes this has an impact on our architecture: “Recreation permeates our thinking. Verandahs, gardens, courtyards, swimming pools, ponds, clothes lines, tree swings and vegetable gardens were all, until recently, integral to the design brief.” Read more →
The work of Perth-based designer Penelope Forlano explores memories, heirlooms and intergenerational meaning. En_Case (Engraved Casegoods) is a modular furniture piece with a series of patterns laser engraved to form texture on timber. These patterns act as visual snippets of memory; new combinations can be selected from a wide range of patterns to create a personal, customised version.
For this particular piece, Forlano conducted an interview with a family about their personal and ancestral past, going back as many generations as they knew about. Recurring or overlapping themes and stories, including significant places and experiences, were then translated into patterns. Read more →
Design isn’t just about aesthetics, and to prove it, this ethical gift guide lists a few of the many designers and brands now donating to charity or committed to ethical practices. So, read on, this is your chance to give back this holiday season – not just to families and friends, but also to those in need.
1. Increasingly, community-minded makers and sellers are donating a portion of their profits to charities. Sydney-based multi-disciplinary designer Annie Hamilton donates 10% of sales from her pins and art prints to the Asylum Seekers Resource Centre to help support and empower people seeking asylum in Australia. With a focus on insects and patterns inspired by plants, including the Pretty Fly enamel pin set consisting of venus fly trap and matching fly, Hamilton’s work also includes clothing and scarves, made locally and ethically in Sydney by a small team of makers in Redfern. Read more →
Rugs don’t have to make a big statement to be beautiful – many of the best rugs are designed to be subtle, with one concept differentiating it from the crowd. These five new rug ranges are made from a range of materials and with a variety of design ideas, all of which are successful in their originality and soft concept.
1. Armadillo&Co is an Australian company, founded by Jodie Fried and Sally Pottharst, producing hand-made, fair trade and sustainable rugs. As well as benefiting from the long tradition that their weavers in India, Nepal and Pakistan bring to these hand-knotted rugs, Armadillo&Co is also committed to social responsibility, supporting their weavers’ communities through building schools and other social programs. More on Armadillo&Co
As a source of inspiration for designers and architects, Australian Indigenous culture should not be underestimated. At a recent talk on shield carving by Andrew Snelgar and Simon Penrose at the Art Gallery of NSW, I saw first hand the beauty of traditional shields, tools and weapons made by hand. I also learnt about practices such as the harvesting of timber from trees – up to two thirds of a tree can be removed without killing it.
Two contemporary Indigenous designers drawing on Indigenous Australian traditions in their practices are Lucy Simpson, a textile and graphic designer who sells scarves, textiles, jewellery and objects under the name Gaawaa Miyay, and Nicole Monks, a designer working across art, interiors, fashion, set and surface design (Lucy and Nicole are both participants in the Arts NSW 2016 Indigenous Design Mentorship scheme facilitated by the Australian Design Centre). Read more →
It was bad luck that the worst storm to hit Sydney in decades happened to coincide with the most exciting new design event to make its debut in the city this year. Factory Design District is the brainchild of Kobe Johns who brought her previous experience on DesignEX and London Design Festival to the event, which ran over three days as part of Vivid Ideas.
Johns now runs joinery workshop JP Finsbury with her partner (in work and in life) Adam Price and envisaged Factory Design District as a way for manufacturers and makers to connect with the design industry and the design-loving public.
The mission of the event, which included stands by some 30 exhibitors, was to start a dialogue between those people who work in timber, metal, fabric etc. and those who are curious about the process of making, or who may want bespoke or off-the-shelf Australian-made and designed goods. Read more →
The new Hoshi range, including lounge, armchair and bench, is the latest work by emerging Canberra-based designer Tom Skeehan, working with furniture supplier Stylecraft. Loosely translating as “star” in Japanese, Hoshi is inspired by the designer’s travels in Japan: “I have personally experienced their deep attraction to materials and process, combined with a rich understanding of how an object is made and the purpose / life cycle of the work.”
“Aesthetically, I admire the restraint and often minimal approach to many aspects of Japanese culture, placing a strong emphasis on the overall process and individual daily ritual,” he adds. Read more →