Guest contributor Belinda Hungerford visits the Art Gallery of NSW exhibition Modern Impressions: Australian Prints from the Collection.
Modernism arrived in Australia at about the same time as other parts of the world and reached all aspects of Australian culture, with its crowning glory arguably the Sydney Harbour Bridge. Modernism was especially embraced by women with its designs quickly adopted in the domestic sphere through soft furnishings, glassware, crockery, furniture, lighting and women’s clothing. Publications such as the Home magazine were also instrumental in promoting the modernist aesthetic. Modern art began to appear on the walls with women not just admirers but practitioners too.
During the 1920s and 1930s women dominated the modern art movement with various speculations relating to social change as to why. In conjunction with the loss of many men during WWI, the profitability of art-making had declined between the wars resulting in a lessening number of male artists. This, in tandem with the growth of social freedom, a development particularly beneficial for women, meant that more and more women were able to pursue careers with many choosing an artistic life. Those with independent means also took the opportunity to travel and study abroad. Read more →
The first permanent exhibition venue in Hong Kong’s West Kowloon Cultural District has been completed – the M+ Pavilion, designed by three Hong Kong design teams: VPANG architects ltd, JET Architecture Inc and Lisa Cheung. The leaders of each team, Vincent Pang, Tynnon Chow and Lisa Cheung, first met in New York in 1999 and, despite their careers developing separately to this point, took this opportunity to come together, winning the competition entry to design the building.
The pavilion is set within the Art Park and offers a tranquil escape from the busy city centre, with gleaming facades that mirror the surrounding greenery of the park. The building is situated on a grassy slope with the upper level exhibition space cantilevering over the lawn below and offering views of the city and the harbour. Read more →
I wrote this article following an interview with Li Edelkoort, one of the world’s leading trend futurists. The interview was conducted over a garden breakfast during the Milan Furniture Fair 2014, was commissioned by Kobe Johns (now of JP Finsbury) and was first published in the DesignEX catalogue 2014.
“My job is to anticipate what will be coming.” Lidewij Edelkoort, or Li for short, is one of the best known and most respected trend forecasters in the world. The list of brands she has worked with reads like a who’s who, including Coca-Cola, Lacoste, Disney, Siemens, GAP, L’Oreal. She regularly releases trend books that are sold to top brands all over the world, she started a number of magazines, including Bloom, which presents fashion, design, perfume and more inspired by horticulture. She directed the Design Academy Eindhoven from 1998 to 2008 and established a new design school in Poland in 2011 that merges design with humanities subjects like psychology or anthropology called the School of Form. Read more →
Too much dreary black and white in your life? This lovely short video features ‘Dwelling Installation’ by Krijn de Koning, a Dutch artist invited by Turner Contemporary to create two works in different locations in Folkestone as part of the Summer of Colour Festival. Thanks to Phaidon for the tip-off on this one (I’m doing some copy-editing on a new architecture book for them).
Some excellent news for those in the design and architecture community came from Melbourne’s National Gallery of Victoria (NGV) last week – the establishment of a Department of Contemporary Design and Architecture. Institutional support of design in Australia has been patchy at best over the years, with excellent initiatives such as the State of Design (also Victoria), scrapped, while ideas for a Museum of Design a la London have never gained the critical government or institutional support needed to get them off the ground.
Design and architecture inhabit an unusual space. In many ways, the showing of work in a gallery or museum (or even festival) setting is not required, especially when you consider the strength of the actual industries themselves – Cochlear bringing the latest design innovation to the world, global architecture firms like Woods Bagot competing on the world stage and firms from Europe and North America turning to Australia during dark economic times. Read more →